Lines and fields, light and shadow, textures and surfaces, combined into minimalist compositions of great clarity: The fact that the German-Danish art director and photographer Thomas Wiuf Schwartz, who lives in Cologne, comes from a graphic design background is also obvious in his photographs. His preferred subject is the world of things – products, objects, interiors. With an almost obsessive passion, an eye for the extraordinary and conceptual creativity, he explores the boundaries of pictorial concepts in order to set the perfect stage for the aesthetics, sometimes indeed for the soul, of objects. He stages them precisely and accurately, always creating a very individual atmosphere. Each photograph has a striking quality: poetic, intuitive, charismatic.
Aesthek, Analog, Another Slang, Asics, Avoury, BAQUA, BASF, Dornbracht, Furnipart, Echtstahl, Gerdesmeyer Krohn, HAY, Harpa, Hanne Willmann, Kaschkasch, Klarheit, Kolofon, Kusch Co, Löhr, Marset, Meiré und Meiré, Melitta, Muuto, Müller Möbel, Mykita, Niruk, Objekte Unserer Tage, Pulpo, Parasol Island, Polestar, Reformcph, Rolf Benz, Saga Hotel, Scania, Siedle, thjnk, Volvo, Yara
Spectr Magazine, Sindroms, Schöner Wohnen, Harvest Magazin, IDEAT, Das Bad, Trendland, Dltd Scenes, Elle, Harper's Bazaar
Open Office. Work in Progress, Holy Office, Cologne
Generation Cologne, Eiffelgebouw Maastricht
Generation Cologne, Ruttkowski68, Cologne
Das Fliegende Jackett, FONIS Galerie Düsseldorf
Clash of Colors, Atelier Thomas Wiuf Schwartz, Cologne